The Grey is a very suspenseful, "keep you on the edge of your seat and be ready to cover your eyes" movie. Quiet scenes with a lot of beautiful scenery interspersed with bloody feeding of wolves. Not for the squeamish; but a lot of thought-provoking drama for the Liam Neilson fan!

Nancy Hallock
Linthicum, Maryland

This was such a beautiful movie. It showed the love of a father and son, the joy that discovery could bring - whether it was discovering something you were looking for, discovering something you lost, or discovering something that you never knew was already there. I would recommend this movie to everyone and it deserves any awards it gets.

JImmy Rone
Mount Juliet, Tennessee

Excellent movie! Red Tails was educational and suspenseful. This movie will make you desire to open a history book or Google search the actual story of the Tuskegee Airmen. A definite must see!

Chephon Morrison
Springfield, Illinois

 I was very disappointed in the film quality. I went in with high expectations and walked out feeling like I had paid to watch someone's home movie. I expected more. This movie was formatted similar to the Blair Witch movies. I did not like those movies either. I would not have paid to see this movie, if I would have known this prior to arriving at the theatre. However, I would watch the film, again, on tv or on video for some of the scenes.

Roxzanne Richards~Davidson
Hendersonville, North Carolina

Good movie; George Clooney portral of the loving husband and father is great.  Bring the tissues, but is a great movie on life and the real deal.  So many of the scenes reminded me of family members and dealing with real life.

Melisa Smith
Tallahassee Florida

Excellent!  A true insight into how our government works - J Edgar was a man who set a high standard for others as well as himself - a lesson here to be learned.

Carol Baublitz
Westminster, Maryland

I really enjoyed this movie.  It was packed with Tremendous action and GREAT Special Effects. Mickey Rourke was superb at being the "Guy You Love to HATE!!

Martha Agnew
3725 North 36th Street

The kind of subjects director Tarsem Singh picks allows him to imbue his canvas and characters with a sense of monumentality that is becoming rare in cinema.

Whether it is The Cell or The Fall, they are treated like epics. His latest, Immortals, is brutal, engaging and ironically savage given that it depicts a social order in which the gods of Greek mythology disembark for a feast of Mahabharata-style visual effects. What gives the film consistency is its explicit sense of disorder and mayhem and Tarsem seems to revel in that.

He reserves his best not for storytelling but in the care with which he treats his images, and mythology allows him leeway to recreate this world vis--vis his personal vision. His pictorial style may not be unique but it does have its appeal.

Tarsem's imaginative artistry is nowhere more apparent than in the ability to see the inner lives of the gods, such as Hyperion's (Mickey Rourke [ Images ]) evil gambit to control Greece or Zeus's (Luke Evans) concern for humanity.

Zeus chooses to pit Theseus (Henry Cavill) against the ruthless Hyperion. Theseus is assisted by Stavros (Stephen Dorff) and the oracle Phaedra (Frieda Pinto).

Tarsem's actors do not let him down, whether it is Rourke, who is as tough as the headpiece he wears, or Cavill, who is set up against the mightiest and has the personality to make the action and ambition look believable.

Films like Immortals depend so much on visuals to tell the story that the other important aspects of cinema are often given scant attention. Unlike Tarsem's The Fall, there is little originality in Immortals but it is not without its moments.

It's a project designed for beefy heroes, wartime spectacles and digital wizardry. Of all people, a visually good-looking film like this would be a treat for Caravaggio, "the bad boy painter" as Tarsem described him. rediff.com.

rohan kumar
Cincinnati, Ohio